The reason it's so special (well, other than that it's a fabulous book) is that it was written by a very special friend of mine, my critique partner, Susan Adrian.
Suze (or Suzerooni, as I am wont to call her) has traveled this rocky writing path with me for years. Years. We met, long long ago, on the CompuServe Writers Forum (now known as The CompuServe Books and Writers Community) and became fast friends. We've supported one another through many a book.
Suze is the epitome of the Galaxy Quest quote "Never give up, never surrender." Her first few books didn't sell, not because they weren't good (I can vouch that they were), but for whatever vicissitudes of fate were knocking around the publishing industry at the time. (Nasty things, vicissitudes.) But she stuck with it, and now readers are going to profit immensely from her strength of will and determination in an industry that knocks most writers on their asses.
Here's a little info about Suze:
And here's a bit about her debut novel:
Romance and action come crashing together in Susan Adrian's Tunnel Vision in which a teenage boy with incredible powers is brought to the attention of the government.
Jake Lukin just turned 18. He's decent at tennis and Halo, and waiting to hear on his app to Stanford. But he's also being followed by a creep with a gun, and there's a DARPA agent waiting in his bedroom. His secret is blown.
When Jake holds a personal object, like a pet rock or a ring, he has the ability to "tunnel" into the owner. He can sense where they are, like a human GPS, and can see, hear, and feel what they do. It's an ability the government would do anything to possess: a perfect surveillance unit who could locate fugitives, spies, or terrorists with a single touch.
Jake promised his dad he’d never tell anyone about his ability. But his dad died two years ago, and Jake slipped. If he doesn't agree to help the government, his mother and sister may be in danger. Suddenly he's juggling high school, tennis tryouts, flirting with Rachel Watkins, and work as a government asset, complete with 24-hour bodyguards.
Forced to lie to his friends and family, and then to choose whether to give up everything for their safety, Jake hopes the good he's doing—finding kidnap victims and hostages, and tracking down terrorists—is worth it. But he starts to suspect the good guys may not be so good after all. With Rachel's help, Jake has to try to escape both good guys and bad guys and find a way to live his own life instead of tunneling through others.
Plus, I even interviewed her!
1. You chose (or were chosen by, if you will) a male protagonist for Tunnel Vision. How did you go about capturing the male energy for writing Jake, and what was the most difficult aspect of it?
You know, it's funny. Most of the time it wasn't hard at ALL. It was kind of eerily like there was an 18-year-old male part of my psyche, all ready with a very different way of seeing the world. Though apparently I did mess it up on the first draft—one of my crit partners said to tone down the number of times he mentioned a male agent's hair color…that it was a little "bromance". I laughed and cut it out.
2. What's your short pitch for Tunnel Vision? IOW, how would you convince a busy reader to give Tunnel Vision cuts in their To Be Read line?
TUNNEL VISION is a YA thriller with psychic spies, graveyard chases, gaming, romance, and a stubborn little sister you'll wish you had.
3. What are your favorite writing snacks (sweet? salty? combo?) and do they vary according to what sort of scene you're writing?
Hmm. Since I usually write at 5:30 am, that would be coffee. But chocolate and tortilla chips are both favorite snacks any time.
3(a). How do you keep your keyboard clean? (Seriously. I could use some tips.)
I DO NOT. But this is my work keyboard…because I constantly am eating at my desk at work. (But seriously, those air-in-a-can things are genius.)
4. You have a fulltime job and a family (not to mention demanding critique partners). How do you carve out time to write?
That whole 5:30 am thing! It's tough sometimes, but on the whole it seems to work. My husband travels a lot too, at the moment, so I sleep in and move writing time to the evening on those days.
5. Tunnel Vision is set in lovely burg of Herndon, VA. What made you decide on that setting? ;)
Welll…I knew I wanted his parents to work in Washington, DC, and be part of the military/government complex, so he would be somewhat familiar with all of it. When I needed a bedroom community near DC, I picked one I'd heard about, where a certain CP happened to live… (yes, you! It was because of you!)
6. You and I both worked at this writing thing for a long time before our dreams of publication were realized. (Pays to be stubborn, yes?) So, your final question: How is the actual experience different from your dreams? (For me, it was the disappointing lack of cabana boys.)
I think it's mostly the sheer amount of work that happens AFTER the sale, to get the book ready for publication, out there in reader's hands, and get at least a few people to read it. And second, that the stress doesn't really seem to let up. I'm still trying to sell books, still hoping, still writing at strange hours and putting myself out there. So that part at least doesn't change. BUT it definitely pays to be stubborn, and persistent, and crazy…because I made the dream happen at last, just like you!
Thanks, Linderoo. You've been a fantastic, supportive writing friend for all these years! And a great critique partner too.